Exam 16: Contemporary Art Worldwide

A) ​Shirin Neshat
B) ​Faith Ringgold
C) ​Barbara Kruger
D) ​Martha Rosler

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A) ​Green architecture
B) ​postmodern architecture
C) ​Deconstructivist architecture
D) ​site specific architecture

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The female artists presented in this cha...

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A) Goat hair​
B) ​Human blood
C) ​Lamb skin
D) ​Elephant dung

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A) ​metallic flower
B) ​cargo ship
C) ​rocket
D) ​bird

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Contemporary artists have employed vario...

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A) ​Deconstructivism
B) ​Environmental
C) ​High-Tech
D) ​Wrap

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One controversial artwork that has come ...

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A) ​Maya Lin
B) ​Chris Ofili
C) ​Elizabeth Murray
D) ​El Anatsui

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Contemporary art has seen a wide range o...

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A) ​portraits of family members
B) ​geometric
C) ​abstract
D) ​self-portraits

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Jean-Miche...

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A) ​the importance of photography
B) ​the income discrepancies of males and females
C) ​rights for homosexuals
D) ​freedom of expression for artists

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D

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Jean-Michel Basquiat's style and choice ...

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The exhibition Robert Mapplethorpe: The Perfect Moment sparked controversy due to the explicit and controversial nature of the photographs displayed. Many people found the explicit depictions of nudity, homoeroticism, and BDSM themes offensive and inappropriate for public display. The controversy was further fueled by the fact that the exhibition was partially funded by the National Endowment for the Arts, leading to debates about government funding for controversial art. The final resolution of the controversy surrounding the exhibition was that it was ultimately cancelled at some venues, while others chose to display the photographs with warning signs and age restrictions. The debate also led to a larger conversation about censorship, freedom of expression, and the role of public funding in supporting controversial art. Ultimately, the controversy surrounding the exhibition brought attention to the boundaries of art and the importance of open dialogue and debate in the art world.

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Norman Foster's Hong Kong and Shanghai B...

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A) Constanin Brancusi​
B) ​Jeff Koons
C) ​Barbara Hepworth
D) ​Alexander Calder

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Faith Ringgold's work "Who's Afraid of Aunt Jemima?" is a story quilt that combines image and text to tell the story of Aunt Jemima, a fictional character often associated with the stereotype of the "mammy" figure in Southern United States culture. Created in 1983, this piece is one of Ringgold's most famous works and is a pivotal example of her story quilts, which blend craft and narrative to address social and political issues. In this quilt, Ringgold reimagines Aunt Jemima, transforming her from a racial stereotype into a successful entrepreneur and matriarch. The work serves as a revisionist narrative that challenges the historical misrepresentation of African American women. Ringgold creates a new story for Aunt Jemima, where she is no longer just a smiling figure on pancake mix boxes but a complex character with a family, a history, and a life full of experiences and achievements. The quilt features a series of painted images surrounded by quilted borders. The images are accompanied by handwritten text panels that narrate Aunt Jemima's fictional biography. In this reimagined life, Aunt Jemima becomes Jemima Blake, a businesswoman who runs a breakfast restaurant in Harlem, marries, raises a family, and helps her community. Through "Who's Afraid of Aunt Jemima?," Ringgold addresses the issues of racism, sexism, and the power of storytelling. She uses the quilt as a medium to reclaim and rewrite African American history, giving voice to those who have been historically marginalized and misrepresented. The title itself is a play on Edward Albee's play "Who's Afraid of Virginia Woolf?" suggesting a challenge to the fears and taboos associated with African American women's roles in society. Overall, Ringgold's work is a powerful commentary on the resilience and agency of African American women, offering an alternative narrative that celebrates their contributions and defies the limitations imposed by racial and gender stereotypes.